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Camelot

Camelot is a 1967 American musical fantasy drama film directed by Joshua Logan and written by Alan Jay Lerner, based on the 1960 stage musical of the same name by Lerner and Frederick Loewe. It stars Richard Harris as King Arthur, Vanessa Redgrave as Guenevere, Franco Nero as Lancelot, David Hemmings as Mordred and Lionel Jeffries as Pellinore.

Description adapted from Wikipedia contributors, Camelot (film) · CC BY-SA 4.0. Text adapted for this entry.

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The story, including the ending.

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Source plot synopsis — includes the ending

As King Arthur prepares for battle against his former friend, Sir Lancelot, with his son, Mordred, raising an army against him back in England, he reflects on the sad circumstances which have led him to this situation.
He recalls the night of his marriage to Guenevere. It is an arranged marriage, and he is afraid of what lies ahead ("I Wonder What the King is Doing Tonight"). Guenevere herself is worried about marrying a man she has never met and longs for the romantic life of a fought-over maiden ("The Simple Joys of Maidenhood"). They converse, and as she does not know his true identity, she fantasizes about escaping with him. Arthur tells her what a wonderful place his kingdom is ("Camelot"). She finds herself drawn to him, but they are interrupted by his men and her entourage. Arthur's identity is revealed, and Guenevere gladly goes with him to be married.
Four years later, Arthur explores with Guenevere his idea for a Round Table that would seat all the noble knights of the realm, reflecting not only a crude type of democratic ideal, but also the political unification of England. Inspired by Arthur's ideas, the French Knight Lancelot makes his way to England with his squire Dap, boasting of his superior virtues ("C'est Moi"). Lancelot's prowess impresses Arthur, and they become friends; however, many of the knights instantly despise Lancelot for his self-righteousness and boastfulness. Back in Camelot, Guinevere and the women frolic and gather flowers to celebrate the coming of spring ("The Lusty Month of May").
Guenevere, who initially dislikes Lancelot, incites three of the best knights to challenge him to a joust ("Then You May Take Me To The Fair"). Arthur ponders how distant Guenevere has become ("How to Handle a Woman"). Guenevere's plan goes awry as Lancelot easily defeats all three, critically wounding Sir Dinadan. A horrified Lancelot pleads for Sir Dinadan to live, and as he lays hands on him, Dinadan miraculously recovers. Guenevere is so overwhelmed and humbled that her feelings for Lancelot begin to change. Despite his vows of celibacy, Lancelot falls in love with Guenevere.
Guinevere and Lancelot meet in secret to discuss their future. Lancelot vows that he should leave and never come back, but finds it impossible to consider leaving Guenevere ("If Ever I Would Leave You"). Arthur decides to rise above the scandal. Mordred, Arthur's illegitimate son, arrives at Camelot determined to bring down the fellowship of the Round Table by stirring up trouble. All this takes its toll on Arthur's disposition, and Guenevere tries to cheer him up ("What Do the Simple Folk Do?") despite her conflicted emotions.
Mordred persuades Arthur to stay out hunting all night as a test, knowing that Lancelot will visit Guenevere in her bedchamber. Lancelot and Guenevere sing of their forbidden love and how wrong it has all gone ("I Loved You Once In Silence"). Mordred and several knights catch the lovers together. Lancelot escapes, but Guenevere is arrested. Thanks to Arthur's new civil court and trial by jury, she is sentenced to die by burning at the stake. Bound by his own law, Arthur cannot spare her. Preparations are made for Guenevere's burning ("Guenevere"), but Lancelot rescues her at the last minute, much to Arthur's relief.
On the eve of his battle with Lancelot, Arthur receives a surprise visit from Lancelot and Guenevere, at the edge of the woods, where she has taken residence at a convent. The three share an emotional farewell.
Prior to the battle, Arthur stumbles across a young boy named Tom, who espouses his commitment to Arthur's original ideal of "Not might 'makes' right, but might 'for' right." Arthur realizes that, although most of his plans have fallen through, the ideals of Camelot live on in this simple boy. He knights Tom and gives him his orders: run behind the lines and survive the battle, so that he can tell future generations about the legend of Camelot. Watching Tom leave, Arthur regains his hope for the future ("Camelot (reprise)").
Sources and content license

Source and revision history ↗ · Adapted from Wikipedia contributors, Camelot (film). Section headings and formatting adjusted. · Content license