MOVIES · STORY NOTES

Cabaret

Cabaret is a 1972 American musical drama film directed and choreographed by Bob Fosse from a screenplay by Jay Presson Allen. It is based on the 1966 stage musical by Joe Masteroff (book) and the duo Kander and Ebb (music), which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood.

Description adapted from Wikipedia contributors, Cabaret (1972 film) · CC BY-SA 4.0. Text adapted for this entry.

FULL SPOILERS AHEAD

The story, including the ending.

These write-ups discuss major events and outcomes for this listed work. Each source and its coverage are identified below.

Source plot synopsis — includes the ending

In 1931 Berlin, a young, openly promiscuous American, Sally Bowles, performs at the Kit Kat Klub. A new British arrival in the city, Brian Roberts, moves into the boarding house where Sally lives. A reserved academic and writer, Brian must give English lessons to earn a living while completing his doctorate. Sally tries to seduce Brian, but he tells her that on three previous occasions he has tried to have sexual relationships with women, all of which failed. They become friends, and Brian witnesses Sally's bohemian life in the last days of the Weimar Republic. When Brian consoles Sally after her father cancels his meeting with her, they become lovers, concluding that his previous failures with women were because they were "the wrong three girls".
Maximilian von Heune, a rich, married playboy and baron, befriends Sally and takes her and Brian to his country estate where they are both spoiled and courted. After Brian and Max witness a Nazi song breaking out in a cafe, with all but one patron joining in, Brian reminds Max that Max once told him the Nazis were harmless. Max drops his pursuit of the pair in haste. During an argument, Sally tells Brian that she has been having sex with Max, and Brian reveals that he has as well. Brian and Sally later reconcile, and Sally reveals that Max left them 300 marks and mockingly compares the sum with what a professional prostitute earns.
Sally learns that she is pregnant but is unsure of the father. Brian offers to marry her and take her back to his university life in Cambridge. At first, they celebrate their resolution to start this new life together, but after a picnic between Sally and Brian, in which Brian acts distant and uninterested, Sally becomes disheartened by the vision of herself as a bored faculty wife washing dirty diapers. Ultimately, she has an abortion, without informing Brian in advance. When he confronts her, she shares her fears, and the two reach an understanding. Brian departs for England, and Sally continues her life in Berlin, embedding herself in the Kit Kat Klub.
Meanwhile, Fritz Wendel, a German Jew passing as a Protestant Christian, is in love with Natalia Landauer, a wealthy German Jewish heiress who holds him in contempt and suspects his motives. Through Brian, Sally advises him to be more aggressive, which eventually enables Fritz to win her love. However, to gain her parents' consent for their marriage, Fritz must reveal his Jewish background, which he does, and the two are married by a rabbi.
The rise of Fascism in Europe is an ever-present undercurrent and is the overarching plot of the film. The progress of the primary characters can be tracked through their changing actions and attitudes towards the rising Nazism in the Weimar Republic. At the beginning of the film, a member of the Nazi Party is expelled from the Kit Kat Klub by the club manager, who suffers a subsequent beating.
The rise of Nazism in the 1930s is also demonstrated towards the end of the film in a rural beer garden scene. There, a blond boy sings to an audience of all ages ("Tomorrow Belongs to Me") about the beauties of nature and youth. It is eventually revealed that the boy is wearing a Hitler Youth uniform. The ballad then transforms into a militant Nazi anthem, and by the song's end, one by one nearly all of the adults and young people rise and join in the singing. "Do you still think you can control them?" Brian then asks Max. After the beer garden scene, Brian gets into a confrontation with a Nazi on a Berlin street, which leads to his receiving a beating.
In the final scene of the film in the Kit Kat Klub, it slowly becomes apparent in the hazy club that audience members wearing NSDAP uniforms are now sitting in the preferred front seats of the club.
Sources and content license

Source and revision history ↗ · Adapted from Wikipedia contributors, Cabaret (1972 film). Section headings and formatting adjusted. · Content license